Recorded on, uploaded on Musician's or Publisher's Notes Tango Etudes No. 3 & 4 Astor Piazzolla (transcribed for solo cello by W. Law) About a year ago, I was asked by the American Creative Dance Company to come up with a few Tango pieces to collaborate with their Tango dancers.
I came across these etudes and fell in love with them. They were originally written for the flute, but I decided to transcribe them for the cello. Having always loved Tango dancing myself, and having enjoyed playing Tango music, this collaboration was a real treat. Astor Piazzolla (1921 - 1992) was an Argentine tango musician, bandoneon player, and composer. He is widely considered the most important tango musician of the second half of the Twentieth Century. His nuevo tango was distinct from traditional tango in its incorporation of elements of jazz. As guidance to the performer, Piazzolla wrote of these etudes, 'the performer should well exaggerate the accents and respirations, therefore inspiring of the way in which tangos are played on the bandoneon'.
May 24, 2017 - Print and download in PDF or MIDI Tango Etude 3. Astor Piazzolla's 3rd tango etude. This is written for a flute, but I find that it sounds better with.
One wonders how to find 'respiration' in the sounds of a cello. Keiko matsui a drop of water download. The dancers later told me that they had been listening and dancing to the music breathe through the cello like a bandoneon.
Astor Piazzolla with at the recording, () 1974. The image includes the producer Aldo Pagani, first from the left, and some performers, including, 2nd from right, and, 2nd from left After a period of great productivity as a composer, he suffered a heart attack in 1973 and that same year he moved to Italy where he began a series of recordings which would span a period of five years. The music publisher Aldo Pagani, a partner in Curci-Pagani Music, had offered Piazzolla a 15-year contract in Rome to record anything he could write.
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His famous album was recorded in Milan in May 1974 and later that year he separated from Amelita Baltar and in September recorded the album with the saxophonist and an Italian orchestra, including jazz musicians such as bassist /arranger and drummer, in Milan. The album includes the composition Aire de Buenos Aires by Mulligan. In 1975 he set up his an octet made up of bandoneon, electric piano and/or acoustic piano, organ, guitar, electric bass, drums, synthesizer and violin, which was later replaced by a flute or saxophone. Later that year died and Piazzolla composed the Suite Troileana in his memory, a work in four parts, which he recorded with the Conjunto Electronico. At this time Piazzolla started a collaboration with the singer with whom he made a number of recordings.