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Finally, with Monday’s episode of, the power shifted from the coaches to the audience. At long — long! Download quicken 2013 for windows.
— last, we got to vote for the contestants whose singing was music to our ears. But which of the Top 12’s performances were dazzling enough to inspire a tweet of support?
Read on, and after we review the vocalists’ efforts, you can not only vote for your favorite but choose your overall pick to win Season 13. RELATED Brooke Simpson (Team Miley), “Praying” — Grade: B After describing herself in rehearsal as falling somewhere between Britney Spears and James Brown, Brooke took to the stage and sounded like no one so much as herself. As we’ve grown to expect, her vocals were gutsy and powerful. Moreover, she nailed her big note and somehow managed to complete her performance without either of those earrings that looked like they weighed 5 lbs. Apiece going flying.
The only thing Brooke didn’t manage to do — and how could she with this serious Kesha song? — was show off the bubbly, smiley side that her coach seemed so interested in us knowing. Red Marlow (Team Blake), “The Church on Cumberland Road” — Grade: B Bless his heart, that Red is a funny one, joking with Blake in rehearsal that it was a close race between him and his coach for the Sexiest Man Alive title.
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I only wish I was more excited about him as a singer. (I prefer Adam Cunningham.) Mind you, Red is a solid vocalist, and the audience is responding to his brand of classic country in a big way. He just struck me again Monday as the kinda performer that you’d really enjoy listening to in the background at a concert while you were in line to get another pitcher of beer, not the kind of performer that you can’t take your eyes off of. Shi’Ann Jones (Team Jennifer), “Vision of Love” — Grade: B- As if it hadn’t been confounding enough that JHud kept the green teen over Chris Weaver in the Playoffs, the coach then stuck the youngster with a ballad whose whistle-high notes we — and, by extension, she — had to have known that the kid couldn’t hit. When the spotlight fell on Shi’Ann, she started off beautifully in her lower register, then got a bit wobbly before recovering on the chorus and actually coming awfully close on the whistle-high notes. A little yelly at times, but overall, not bad. Jon Mero (Team Adam), “Why I Love You” — Grade: A- Maybe Adam, having realized that, when Jon puts on the razzle-dazzle, his cheesiness irritates the lactose-intolerant, is smart to keep giving him ballads.
Here, Jon demonstrated amazing range, going from his lower register to a falsetto that was, frankly, breathtaking, as well as great restraint, performing with emotion that came off as real and believable rather than the equivalent of in-concert scenery-chewing. RELATED Ashland Craft (Team Miley), “Delta Dawn” — Grade: C+ Hmm.
Were I in Miley’s cowgirl boots, I suspect I would’ve talked my second coming of Gretchen Wilson out of doing the Tanya Tucker oldie that’s so familiar, anyone else doing it is almost guaranteed to sound like they’re doing karaoke. But alas, I wasn’t in Miley’s cowgirl boots, and sounding like a karaoke version of T.T. Wasn’t going to be Ashland’s biggest problem. Her performance was fun and all, and she served some of that growl that once made me an insta-fan, but it was also pitchy as hell.
Adam Cunningham (Team Adam), “Against All Odds” — Grade: B- W the actual H? For the first live show, Levine gave his country boy a Phil Collins cover? I’m so befuddled, I don’t know whether to end that sentence with a period, a question mark or a combination of question marks and exclamation points. Were there not enough amazing country songs out there on which Adam C. Could showcase the kind of artist he’d be that Adam L. Had to assign him a pop ballad?